The finale brings Miao Miao back to reality, reveals Mu Sheng’s connection to author Fu Zhou, and ends with a familiar voice calling her name. But does that count as a real reunion?
Spoiler warning: This article discusses Episode 32 and the ending of the 2024 Chinese fantasy romance drama Love Game in Eastern Fantasy (永夜星河).
For 32 episodes, Ling Miao Miao fights to change a tragic story.
She enters the world of a fantasy novel, falls in love with Mu Sheng, and tries to save the people whose lives seem destined to end in disaster.
Then the final episode changes everything.
Mu Sheng is connected to Fu Zhou, the author who created the fictional world.
Miao Miao returns to modern reality.
The story she remembers begins to feel like a dream.
And at Fu Zhou’s book-signing event, she hears someone call her name.
She turns.
She smiles.
The screen cuts away.
For a romance that has spent so much time developing its central couple, this is a remarkably restrained conclusion.
We do not see Miao Miao and Fu Zhou embrace.
We do not hear a conversation confirming that they remember everything.
And we do not receive an ordinary epilogue showing their life together.
So did Miao Miao really meet Mu Sheng in the real world?
The strongest reading is yes: the finale deliberately points toward a real-world reunion between Miao Miao and Fu Zhou, the man connected to Mu Sheng. However, their reunion is implied rather than fully shown, and the extent of their shared memories is not explicitly confirmed.
That distinction matters.
The drama gives viewers substantial evidence for a hopeful ending.
But it stops just before showing the moment many viewers most wanted to see.
To understand why, we need to examine the finale’s clues in the order they appear.
1. The Biggest Twist: Mu Sheng and Fu Zhou Are Connected
The first key to the ending is the revelation about Mu Sheng’s identity.
Throughout most of the series, Mu Sheng—also known as Mu Ziqi—appears to be a character living inside the fantasy world.
Miao Miao, meanwhile, believes she has entered a story written by Fu Zhou, an author she admires.
That creates a seemingly clear division.
Miao Miao belongs to the real world.
Mu Sheng belongs to the novel.
Fu Zhou exists outside the story as its creator.
Episode 32 disrupts that separation.
The finale reveals that Mu Sheng is intimately connected to Fu Zhou himself.
The author and the fictional character are not simply unrelated people who happen to share a narrative.
Mu Sheng embodies something deeply personal about Fu Zhou.
The drama links the character to the author’s childhood, emotional wounds, and hidden feelings.
This changes the meaning of the entire romance.
Miao Miao has not merely fallen in love with a fictional hero who resembles no one in reality.
She has encountered a character connected to a real person whose life was shaped by her long before the events of the novel.
But what exactly is that connection?
That is where the interpretations begin to diverge.
2. Was Mu Sheng Literally Fu Zhou, or Was He the Author’s Self-Insert?
There are two major ways to understand the identity reveal.
Interpretation A: Mu Sheng is Fu Zhou within the fictional world
Under this reading, Mu Sheng is more than a character modeled after the author.
He is effectively Fu Zhou experiencing the novel’s events through another identity.
The finale’s revelation that Mu Sheng is Fu Zhou supports this interpretation.
It also explains why Mu Sheng’s realization is so emotionally powerful.
He is discovering that the story’s deepest conflict comes from his own life.
If this reading is correct, the fantasy romance and the real-world romance are two parts of the same emotional journey.
Miao Miao has already loved the man she will encounter in reality, even though she knew him under another name.
Interpretation B: Mu Sheng is a fictional expression of Fu Zhou
The alternative reading treats Mu Sheng as a self-insert character.
A self-insert is a fictional character through whom an author expresses aspects of their own identity, experiences, or desires.
Under this interpretation, Mu Sheng represents the younger Fu Zhou’s loneliness, anger, and longing.
The character’s transformation reflects the author’s emotional growth.
Miao Miao’s influence changes the fictional world because she also changed the real author’s life.
This interpretation does not require Fu Zhou to have literally experienced every fantasy event.
Instead, the novel becomes a way for him to confront his past.
Which interpretation is correct?
The drama strongly establishes the connection between Mu Sheng and Fu Zhou.
But viewers continue debating whether the connection should be understood as literal shared consciousness, a fictional self-insert, or a combination of the two.
A Reddit discussion published in May 2026 asks this exact question: was Mu Ziqi the author’s self-insert, or was he another person who entered the story?
That continuing debate demonstrates how much the finale leaves to interpretation.
What is certain is that Mu Sheng is not emotionally separate from Fu Zhou. The novel’s hero is tied to the author’s identity and personal history.
The precise metaphysics are less clearly defined.
3. The Childhood Connection Changes Everything
The ending reveals that Fu Zhou and Miao Miao share a history in the real world.
Fu Zhou experienced serious health problems during childhood.
He was isolated and struggled emotionally.
Miao Miao’s kindness became an important source of encouragement.
To him, she represented warmth and hope during a difficult period.
This revelation transforms the apparent relationship between author and reader.
Earlier in the drama, Miao Miao appears to be a devoted reader who becomes trapped inside her favorite author’s fictional world.
By the finale, the audience discovers that the author’s feelings toward her began long before she entered the story.
She was not merely one of his readers.
She was someone who helped shape his imagination.
The connection is also reflected in the fantasy world’s imagery.
Viewers have identified details that appear to echo objects and experiences from Fu Zhou’s childhood, including the design of Mu Sheng’s weapon and imagery associated with Miao Miao.
These parallels support the idea that Fu Zhou’s fictional world is built partly from his memories.
The fantasy is not disconnected from reality.
It contains pieces of the life he experienced.
And Miao Miao is one of the most important pieces.
4. Why Did Fu Zhou Write Such a Tragic Story?
Fu Zhou’s first novel is connected to his childhood pain.
As a young person, he struggled with loneliness and resentment.
His early writing reflected a darker understanding of the world.
The characters suffered.
Their relationships were shaped by secrets and misunderstandings.
Tragic outcomes seemed unavoidable.
This matters because the fantasy world’s central crisis is not simply another monster to defeat.
The original story’s destructive logic reflects the emotional state of the person who created it.
Miao Miao gradually discovers that defeating an enemy is not enough.
The deeper problem lies in the story itself.
And the story’s author is someone who once believed that suffering was inevitable.
Her challenge is therefore larger than saving Mu Sheng from a particular danger.
She must help transform the worldview that produced the tragic ending.
That is why the finale becomes increasingly concerned with authorship, memory, and the possibility of rewriting fate.
The true conflict is no longer only between heroes and supernatural enemies.
It is between despair and the possibility of hope.
5. Why Did the World Still Face Destruction After the Enemy Was Defeated?
One of Episode 32’s most confusing developments occurs after the apparent defeat of the major threat.
The characters have fought to save their world.
Yet the catastrophe does not simply disappear.
The sky changes.
The danger continues.
Why?
Because the finale reframes the nature of the crisis.
The fantasy world’s fate is connected to the tragic ending written into Fu Zhou’s original story.
The destruction cannot be understood solely as the work of a villain within the novel.
It is also a consequence of the narrative’s original design.
This is a metafictional twist.
A metafictional story draws attention to its own status as a constructed narrative.
Characters may confront the rules of their fictional world or the intentions of the person who created it.
In Love Game in Eastern Fantasy, that idea becomes central to the finale.
The characters are fighting not only to survive inside their world but also to escape the ending assigned to them.
Miao Miao’s role is crucial because she comes from outside that world.
She knows that stories can be written differently.
And she believes that people deserve something better than an ending determined by despair.
6. What Did Mu Sheng Realize About Fu Zhou?
Mu Sheng’s recognition of his connection to Fu Zhou is the emotional turning point.
He begins to understand the source of the world around him.
The pain reflected in the original story is not abstract.
It comes from a real person’s experience.
The love he feels for Miao Miao is also connected to that person’s history.
This makes Mu Sheng’s transformation more than a fantasy character’s redemption.
He becomes a representation of Fu Zhou learning to confront his own suffering.
The story that began in bitterness can now move toward compassion.
The character who once seemed destined for tragedy can choose differently.
And the author who once imagined a cruel world can learn to create a kinder one.
This is why the revelation works on two levels.
Within the fantasy, Mu Sheng is trying to save the people he loves.
Within the real-world story, Fu Zhou is confronting the emotional wounds that shaped his writing.
Miao Miao connects both struggles.
7. Did Fu Zhou Remember Miao Miao Before the Final Book Signing?
Yes, Fu Zhou already knew Miao Miao from their childhood connection.
The finale establishes that she was important to him long before the book-signing event.
He remembers her as someone who brought light into his life.
But that is different from proving that he remembers every event Miao Miao experienced inside the novel.
This distinction is essential.
There are at least two kinds of memory involved.
Real-world memory: Fu Zhou remembers Miao Miao from their shared past.
Fantasy-world memory: Mu Sheng’s experiences with Miao Miao inside the novel, including their developing romance and attempts to change the ending.
The drama strongly establishes the first.
The second is more ambiguous.
Some viewers believe Fu Zhou carries Mu Sheng’s memories because the two identities are fundamentally connected.
Others interpret the fantasy as a symbolic expression of Fu Zhou’s emotional history.
Under that reading, Fu Zhou may understand Miao Miao’s importance without literally remembering each adventure.
The finale does not provide a straightforward conversation resolving the issue.
That omission is one reason the final scene remains so heavily debated.
8. The Dedication: Why Did Fu Zhou Say Miao Miao Saved His World Twice?
One of the most significant clues is the dedication associated with Fu Zhou’s rewritten book.
It refers to the girl who saved his world twice.
The word twice matters.
The first rescue is relatively easy to understand.
Miao Miao helped Fu Zhou during his childhood.
Her kindness changed how he experienced a lonely and painful period.
But what was the second rescue?
The strongest interpretation connects it to the events of the fantasy story.
Miao Miao enters the fictional world.
She challenges its tragic ending.
She helps Mu Sheng confront the truth.
And she contributes to the transformation of a story originally shaped by despair.
Under this reading, Fu Zhou recognizes that Miao Miao saved him in two different ways.
First, she brought hope into his real childhood.
Second, she helped change the world he created from that childhood pain.
The dedication therefore becomes an important argument against treating the entire fantasy adventure as emotionally meaningless.
Even if the precise mechanics remain uncertain, the narrative links both experiences to Fu Zhou’s transformation.
It suggests that the fantasy events matter to the real-world story.
But does the dedication prove that Fu Zhou consciously remembers every moment as Mu Sheng?
Not completely.
It supports the connection.
It does not provide a detailed explanation of how memories move between the two identities.
That remains a matter of interpretation.
9. Did Miao Miao Remember Mu Sheng After Returning to Reality?
Not immediately.
When Miao Miao returns to modern life, her experiences in the fantasy world feel dreamlike.
She retains a sense that something emotionally important happened.
But she cannot clearly reconstruct everything.
This is especially painful because viewers have spent so much time watching her relationship with Mu Sheng develop.
The audience remembers what she seems to have forgotten.
That creates dramatic irony.
We know why the fantasy world matters.
Miao Miao senses that it matters but struggles to recover the details.
The final book-signing sequence begins to change that.
As she encounters reminders of the fictional world, fragments of memory return.
Her reaction suggests recognition.
She is no longer simply an ordinary reader attending an author’s event.
The fantasy and reality are beginning to reconnect.
The series does not give viewers a comprehensive memory-restoration scene.
But it does provide enough to suggest that Miao Miao’s experiences have not vanished without a trace.
10. Why Do Cui Cui and His Grandfather Appear in the Real World?
The appearance of familiar figures from the fantasy world is another clue that complicates the dream interpretation.
Cui Cui and his grandfather are associated with the modern-world book-signing sequence.
Their presence can be read in several ways.
One interpretation is that people or identities from the fictional world have counterparts in reality.
Another is that the finale deliberately echoes familiar characters to emphasize the connection between the two worlds.
A third interpretation is that the sequence uses playful visual continuity rather than establishing a strict supernatural rule.
The important point is that their appearance does not, by itself, prove that every fictional character has physically crossed into reality.
The series does not provide a complete explanation of that mechanism.
However, the choice to include recognizable figures encourages viewers to question whether the fantasy world was merely a dream.
It also reinforces the finale’s central idea.
The boundary between fiction and reality is less stable than Miao Miao initially believed.
The characters and relationships she encountered continue to shape the world she returns to.
11. What Really Happens at Fu Zhou’s Book Signing?
The final sequence brings Miao Miao to an event connected to Fu Zhou’s book.
She learns about the rewritten ending.
The book no longer represents the same hopeless vision that shaped the original story.
That change matters because Miao Miao spent the fantasy adventure trying to create a better ending.
Now, in reality, the author’s work reflects a similar transformation.
She encounters reminders of the world she once inhabited.
Her memories begin to return.
Then she hears a familiar voice call her name.
She turns.
Her expression changes.
And the series ends.
The scene is clearly designed as a moment of recognition.
But the camera does not provide the conventional reunion shot many viewers expected.
We do not see Fu Zhou and Miao Miao standing together in a completed exchange.
We do not hear him explain whether he remembers being Mu Sheng.
And we do not see them discuss their future.
The finale strongly signals a reunion, but it stops before showing the reunion in full.
This is the most accurate way to describe what the audience actually receives.
12. Was the Voice Calling Miao Miao Really Fu Zhou?
The narrative strongly points to Fu Zhou.
The book-signing event centers on him.
The final revelation has already connected him to Mu Sheng.
Miao Miao’s reaction suggests that the voice belongs to someone emotionally significant.
The scene is constructed to lead viewers toward the conclusion that Fu Zhou is calling her.
That interpretation is supported by the broader ending and by contemporary episode recaps.
However, the final cut withholds the complete visual confirmation that would eliminate every possible doubt.
This is not the same as saying that the identity of the caller is entirely mysterious.
The storytelling makes its intended implication clear.
The ambiguity lies primarily in how much of the reunion we are allowed to witness.
It is a difference between narrative implication and explicit on-screen confirmation.
The drama gives us the former.
It withholds the latter.
13. Did Mu Sheng Escape the Novel and Become Fu Zhou?
This is one of the most common ways viewers describe the ending.
But the phrase can be misleading.
Saying that Mu Sheng escaped the novel suggests a literal transfer from one body or world into another.
The finale does not clearly establish such a physical process.
Instead, it reveals that Mu Sheng and Fu Zhou are connected at the level of identity and personal history.
If Mu Sheng is understood as Fu Zhou’s self within the fictional world, the ending becomes a return to his real-world identity.
If Mu Sheng is understood as a self-insert, the ending becomes a meeting between Miao Miao and the real man whose feelings inspired the character.
Both readings lead toward the same emotional conclusion.
Miao Miao’s love for Mu Sheng is connected to Fu Zhou.
But they imply different supernatural mechanics.
The show does not explain those mechanics with enough precision to choose between them conclusively.
For that reason, it is more accurate to say:
Miao Miao is led toward a real-world reunion with Fu Zhou, whose identity and emotional history are inseparable from Mu Sheng’s.
That is better supported than claiming the drama explicitly depicts Mu Sheng physically escaping the novel.
14. Was Everything Just a Dream?
The dream interpretation is understandable.
Miao Miao wakes in the real world.
The fantasy adventure feels distant.
Her memories are incomplete.
The sudden transition resembles a familiar storytelling device in which an extraordinary journey turns out to have happened during sleep.
Some viewers found that possibility frustrating.
If the entire romance was merely a dream, what happened to the emotional investment built over 32 episodes?
But the finale contains details that complicate such a simple explanation.
Fu Zhou’s childhood connection to Miao Miao is real within the modern-world narrative.
His fictional world reflects that connection.
The rewritten book carries emotional consequences from the fantasy storyline.
The dedication about being saved twice suggests a link between the childhood rescue and the later transformation.
And Miao Miao’s final reaction implies that the fantasy experience remains meaningful.
These clues do not prove that the fictional world exists independently as a physical universe.
But they do make the phrase “it was all just a dream” too reductive.
A better interpretation is that the fantasy world operates as a space where Fu Zhou’s past, Miao Miao’s influence, and the possibility of changing a tragic story come together.
The events may be dreamlike.
Their emotional consequences are not.
15. Why Didn’t the Drama Show a Proper Reunion?
This is the question that generated some of the strongest reactions on Reddit.
Viewers did not necessarily object to the idea of Fu Zhou and Miao Miao meeting in reality.
Many liked that revelation.
Their frustration came from the presentation.
After a long romance, the drama ends just before giving the audience a clear scene of the reunited couple.
In a September 2025 Reddit discussion, a viewer complained that the story showed Miao Miao attending the book signing and hearing her name, but did not actually show the couple together.
Other viewers agreed that the ending needed a more satisfying visual conclusion.
That reaction is understandable.
The final episode spends considerable time explaining the connection between the fictional world and the author.
Yet it gives very little time to the relationship after the revelation.
The audience is asked to accept an implied happy ending instead of experiencing it directly.
Why did the production make that choice?
Without a verified statement from the creators explaining this precise editing decision, we should not claim to know.
It may have been intended as a poetic open ending.
It may reflect a preference for suggestion over explicit resolution.
But claims that censorship, scheduling problems, or a deleted scene definitively caused the cut require evidence that is not established by the episode itself.
What we can say is that the final shot prioritizes emotional recognition over conventional romantic closure.
Whether that works depends on what viewers wanted from the story.
16. Was There a Deleted Scene Showing Fu Zhou’s Face?
Online discussions have circulated claims about additional footage or shots involving the male lead during the final reunion.
Some fans believe a more explicit visual ending was filmed but not used in the broadcast version.
Such claims help explain why viewers continue searching for alternate endings and behind-the-scenes material.
However, an online claim about an omitted shot is not the same as verified evidence of an officially released alternative ending.
The broadcast finale should remain the primary basis for interpreting the story.
In that version, the final reunion is suggested rather than fully depicted.
Even if additional footage exists, it would need to be authenticated and placed in its production context before being treated as canonical.
The essential question remains what the finished episode actually communicates.
And the finished episode points toward Fu Zhou and Miao Miao reconnecting.
17. Does the Ending Confirm a Happy Ending?
It depends on what we mean by “happy ending.”
If a happy ending requires an on-screen kiss, marriage, or a detailed future together, then the finale does not provide one.
If it requires the lovers to find a path back toward each other after seemingly impossible separation, the ending is much more hopeful.
Miao Miao returns to reality.
Fu Zhou survives into the modern-world storyline.
His book is rewritten.
Their childhood connection is revealed.
And the final moment brings Miao Miao toward the man associated with Mu Sheng.
The narrative is clearly moving toward reunion rather than permanent separation.
But it does not confirm the details of their future relationship.
We do not know whether they immediately begin dating.
We do not know how they discuss the fantasy world.
We do not know how completely their memories align.
And we do not see a later scene proving that they remain together.
The ending is therefore best described as hopeful and strongly reunion-oriented, but visually open.
That is a more precise description than either “they definitely lived happily ever after” or “they never met again.”
18. The Real Meaning of the Ending: Miao Miao Saves Fu Zhou Twice
The most compelling interpretation of the finale is not about the technical rules of traveling between worlds.
It is about the transformation of a person who once believed his world could only end in tragedy.
Fu Zhou’s childhood was marked by illness and loneliness.
He expressed his pain through fiction.
His earliest story reflected a harsh understanding of life.
Miao Miao’s kindness offered another possibility.
She became a source of hope.
Years later, the fantasy narrative returns to that same emotional conflict.
The world is threatened by an ending that seems impossible to change.
Miao Miao refuses to accept it.
She believes the characters deserve happiness.
Mu Sheng learns to confront the truth about his own identity.
And the story moves toward a different conclusion.
The dedication about saving Fu Zhou’s world twice connects these experiences.
The first rescue belongs to their shared childhood.
The second belongs to the transformation of the story and the person behind it.
This reading also explains why the drama places such emphasis on rewriting endings.
The fantasy adventure is not merely a game Miao Miao must win.
It is a challenge to the idea that suffering must determine the future.
The author can change.
The story can change.
And the relationship that once existed only as an unspoken feeling can be given another chance in reality.
19. What About Mu Yao and Liu Fuyi?
The finale’s shift to the modern world raises another question.
What happens to the other characters from the fantasy world?
Mu Yao and Liu Fuyi have their own emotional journey.
Their relationship matters independently of Miao Miao and Mu Sheng’s romance.
But the final episode does not provide a detailed modern-world epilogue for them.
That leaves viewers with unresolved questions.
Do they have real-world counterparts?
Do they continue living inside the rewritten fictional world?
Do they retain any memories of Miao Miao?
The series does not establish clear answers to all of these possibilities.
It is tempting to assume that every fantasy character must correspond to a real person.
But the finale does not provide enough evidence to support that as a universal rule.
Similarly, the appearance of familiar figures in the modern world does not prove that everyone has crossed over.
The most defensible conclusion is that the ending prioritizes the central emotional connection between Miao Miao and Fu Zhou.
The broader fate of the supporting cast remains less explicitly resolved.
That incompleteness is one reason the finale continues to inspire debate.
20. Why Did Viewers Disagree So Strongly About the Ending?
Reddit discussions reveal three recurring reactions.
The hopeful interpretation
Some viewers believe the ending confirms that Miao Miao and Mu Sheng are reunited through Fu Zhou.
They see the childhood connection, the rewritten book, and the final voice as parts of one coherent romantic conclusion.
For them, the final shot is enough.
The self-insert interpretation
Other viewers focus on the relationship between author and character.
They interpret Mu Sheng as Fu Zhou’s fictional self, shaped by childhood trauma and transformed by Miao Miao’s influence.
Under this reading, the ending is less about literal travel between worlds and more about the author healing through his own story.
The frustrated interpretation
A third group accepts the intended reunion but dislikes how little of it is shown.
These viewers wanted to see the couple together.
They wanted confirmation of shared memories.
And they wanted more time to enjoy the relationship after the identity twist.
The disagreement is not simply about whether the ending is happy or sad.
It is about what kind of resolution a fantasy romance owes its audience.
Is emotional implication enough?
Or should the story explicitly show the lovers finding each other?
Love Game in Eastern Fantasy chooses implication.
Not every viewer finds that satisfying.
Final Verdict: Did Miao Miao and Mu Sheng Meet Again?
The finale strongly implies that Miao Miao reunites with Fu Zhou in the real world, and Fu Zhou is revealed to be deeply connected to Mu Sheng.
That is the clearest answer supported by Episode 32.
The childhood backstory explains why Miao Miao matters to Fu Zhou.
The fantasy world reveals how his emotional history shaped Mu Sheng.
The rewritten novel shows that the tragic story has changed.
The dedication about being saved twice connects the real-world and fantasy journeys.
And the final book-signing scene brings Miao Miao to the moment of recognition.
But three details remain unresolved:
- The drama does not fully show the couple’s face-to-face reunion.
- It does not explicitly explain whether Fu Zhou remembers every event experienced by Mu Sheng.
- It does not provide an epilogue confirming the couple’s future together.
Those uncertainties do not erase the hopeful direction of the ending.
They explain why viewers continue discussing it.
The final scene is not a conventional reunion.
It is a promise of one.
And perhaps the most important clue is not the voice calling Miao Miao’s name.
It is the story Fu Zhou has finally learned to write.
A boy who once imagined a world without hope has created a different ending.
The girl who inspired that change is standing close enough for him to call out to her.
Miao Miao spent the entire drama trying to save Mu Sheng from a tragic ending. In the real world, Fu Zhou finally has the chance to write a happy ending with her.
The camera stops before we see it.
But the possibility is no longer trapped inside a book.
Related Analysis on True Taste Korea
Explore more Chinese drama ending mysteries and character analyses in the True Taste Korea CHINA section.
Internal-link note: Replace the homepage link with the verified CHINA category URL when available. The two upcoming Chinese drama analyses can also be linked here after publication.
Sources and Further Reading
- CPOP HOME — Love Game in Eastern Fantasy Episode 32 Recap — Detailed account of the final episode, the Fu Zhou revelation, and the real-world ending.
- DramaPanda — Love Game in Eastern Fantasy Finale Explained — Discussion of the author’s identity, the ending’s structure, and fan reactions.
- Cyn Lynn — Love Game in Eastern Fantasy Episode Details — Episode-by-episode analysis, including the significance of the dedication about saving Fu Zhou’s world twice.
- Reddit — Love Game in Eastern Fantasy Ending Explained? — Viewer questions about the real-world reunion, Mu Sheng’s memories, and supporting characters.
- Reddit — Love Game in Eastern Fantasy Ending — Discussion of the final voice, the lack of an explicit reunion, and the meaning of Mu Sheng’s identity.
- Reddit — Was Zi Qi a Self-Insert or Another Transmigrator? — May 2026 discussion of Fu Zhou, Mu Sheng, and the ambiguous nature of their connection.
- Reddit — Ending Rant: Love Game in Eastern Fantasy — Viewer criticism of the off-screen reunion and debate about the ending.
TTK Original — Beyond the Headlines
Editorial note: This analysis distinguishes events and revelations shown in Episode 32 from interpretations of the finale’s metaphysical rules. The drama strongly implies that Miao Miao and Fu Zhou reconnect, but it does not fully depict their reunion or definitively establish the transfer of every fantasy-world memory. Claims about deleted footage or production motives should not be treated as confirmed without independent evidence.