BLACKPINK controversy

  • Why Is LISA Talking About BLACKPINK’s Old Trainee Controversy Now?

    LISA’s new documentary is supposed to be about moving forward.

    Always Lalisa follows the BLACKPINK star as she steps into a new chapter of her career — building her solo identity, releasing Alter Ego, acting in The White Lotus, and preparing for her solo Coachella performance.

    But one of the documentary’s most talked-about moments isn’t about LISA’s future.

    It’s about something that happened long before BLACKPINK even debuted.

    An old trainee video.

    And instead of avoiding the controversy, LISA has finally addressed it directly.

    So why talk about it now?

    What Happened in the Old BLACKPINK Trainee Video?

    The footage was recorded during BLACKPINK’s trainee years, before the group debuted in 2016.

    In the clips, members could be heard performing rap material containing the N-word.

    The footage remained private for years before surfacing online in 2025, creating backlash as BLACKPINK’s members were already internationally famous.

    For LISA, the timing was especially difficult.

    The controversy resurfaced while she was preparing for her major solo appearance at Coachella.

    And according to Always Lalisa, the situation became much more serious than an online argument: LISA also faced threats after the leak.

    LISA Says She Didn’t Understand the Word at the Time

    LISA has now apologized for her role in the footage.

    She explained that she grew up in Thailand and, as a young trainee, did not understand the meaning and historical weight of the racial slur she was repeating.

    She also said that she has since learned and educated herself about it.

    That explanation doesn’t erase what happened.

    And different viewers will naturally judge it differently.

    Some may consider her age and cultural background relevant context.

    Others may argue that global artists still need to take responsibility for harmful language regardless of how the mistake happened.

    But the important difference now is that LISA herself is addressing the issue rather than leaving fans and critics to speak for her.

    Why Didn’t LISA Respond Earlier?

    This may be the most surprising part of the story.

    According to reporting about the documentary, LISA’s own company, LLOUD, wanted to issue a statement when the controversy erupted.

    But YG Entertainment opposed releasing one, and the statement did not go out.

    That adds another layer to the question of why LISA is speaking now.

    For years, BLACKPINK members operated inside one of K-pop’s biggest entertainment companies.

    Now LISA has much greater control over her individual career through LLOUD.

    And Always Lalisa is specifically about the period in which she begins defining herself outside the structure that originally created BLACKPINK.

    That makes this controversy more than an uncomfortable old video.

    It also becomes a story about who gets to speak for LISA.

    “Always Lalisa” Is About Control Over Her Own Story

    The documentary follows a pivotal year in which LISA stepped away from BLACKPINK’s group activities to pursue her own path.

    She recorded her solo album.

    She entered acting.

    She prepared for Coachella.

    She built her own company and identity outside the traditional K-pop agency structure.

    Director Sue Kim was given unusually close access to LISA during that period, including vulnerable moments surrounding the trainee-video controversy.

    So leaving this controversy out might actually have made the documentary feel less complete.

    If the film wants to show LISA becoming more independent, it also has to show what happens when independence becomes uncomfortable.

    It’s easy to control your own story when the story is flattering.

    It’s much harder when the story involves a mistake.

    Why Address It Before the Documentary’s Global Release?

    There is also a practical reason this conversation matters now.

    Always Lalisa premiered at the Toronto International Film Festival in September, but its audience is about to become much larger.

    The documentary opens in IMAX and cinemas worldwide on October 12, followed by a global YouTube Premium release later in 2026.

    That means millions of fans who didn’t attend TIFF will soon have the opportunity to see LISA’s version of these events.

    By confronting the controversy inside the documentary, she isn’t pretending the leaked footage never existed.

    She’s placing it inside the larger story of how she changed after becoming a global artist.

    This Is Bigger Than One Old Video

    There is another reason this story matters.

    K-pop is no longer consumed mainly in Korea or even Asia.

    Its biggest artists operate globally.

    They borrow from American pop, R&B and hip-hop.

    They perform in countries with very different cultural histories.

    And that means mistakes involving language or culture can have consequences that young trainees may not fully understand when they first enter the industry.

    LISA’s explanation raises an uncomfortable but worthwhile question:

    How well does the K-pop trainee system prepare young performers for the cultures they borrow from and the global audiences they may eventually face?

    That’s a much bigger question than whether one celebrity made a mistake as a teenager.

    Why Is LISA Talking About It Now?

    Perhaps the simplest answer is that LISA finally has the opportunity to tell the story in her own voice.

    She isn’t the teenage trainee in that video anymore.

    She isn’t only “LISA from BLACKPINK” either.

    She now runs her own company, has a major solo career, acts internationally, and is producing a documentary about who she wants to become.

    That makes Always Lalisa a story about independence.

    But real independence also means taking ownership of the uncomfortable parts of your past.

    LISA cannot change what was recorded years ago.

    She can explain the context.

    She can apologize.

    She can say what she has learned.

    And audiences can decide for themselves what they think about that response.

    Maybe that’s why this old controversy belongs in a documentary called Always Lalisa.

    If LISA wants to control the story of who she is becoming, she also has to confront the story of who she once was.